These two large-aperture zoom lenses for Panasonic Micro Four Thirds cameras look interesting!

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Panasonic is showing mockups of two large-aperture zoom lenses for Micro Four Thirds. The Panasonic stand plays host to mockups of a 12-35mm F2.8 and a 35-100mm F2.8 lens, prominently badged ‘Concept’ lenses. Next to the models is a lens roadmap confirming the company’s intentions to build a 12-35mm (24-70mm equiv) and 35-100 (70-200mm equiv) ‘X’ grade zooms, but with a note that the maximum apertures are ‘to be determined.’ The diagram appears to suggest both lenses will arrive later in 2012.

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Get a Preview of the Canon G1 X

Canon has introduced a large sensor model to its PowerShot G-series of cameras. The G1 X is an addition to the Canon G series but it does not replace the G12.

Digital camera authority DP Review shows us a hands-on preview of the latest camera from Canon.

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We’ve spent a bit more time with the Canon PowerShot G1 X, and will be publishing a samples gallery from a pre-production camera in the near future. In the meantime, we’ve taken the chance to expand our preview based on our further experience and some real-world shooting with the camera. This includes observations about its behavior and a chart showing the camera’s maximum aperture at key focal lengths. If you have any burning questions about the camera’s behavior, write a comment and we’ll do our best to answer when we publish our samples gallery (but do please read the updated preview first, to see if the answer’s there).

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Engadget Tries Out The New JVC Camcorder

Engadget prepared a hands-on video review of the JVC GY-HMQ10 4K-resolution-shooting camcorder. If you’re into videography and film making this video is for you.

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We felt compelled to get our hands onto JVC’s 4K-resolution-shooting camcorder. Unfortunately (but not surprisingly) the company wasn’t letting us take footage with the kit, but we were allowed plenty of unsupervised time with the device. You’ll notice how retro this whole thing looks — the hefty unit is placed in a housing that wouldn’t be out of place with a VHS-C camcorder from the early ’90s. There’s no mount for additional lenses (the $10,000 Red Scarlet uses interchangeable Canon lenses), which means that you won’t have any flexibility if you need to set up a complex shot on the fly. The test unit came with a hot-shoe adapter that included dual XLR inputs and a shotgun mic, but we expect this to be an added extra at retail. The zooming is smooth (we couldn’t hear any motor noise) and when we screwed with the manual focus, it was able to snap back to clarity within three seconds. We’re a little concerned about who the camera is aimed at: it lacks the flexibility that the Red would offer but it seems a little hefty (it’s $5,000) for consumers — so it looks like it’s limited toward roaming broadcast professionals who need their recordings in HD. That said, the ability to decode 4K recordings without additional rendering might come in very handy for those who are prepared to pay a premium for that flexibility. Still, if you fancy watching us take a tour of the hardware and seeing it up close, head on past the break for the video.

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